approaches
considerations
examples
connections
BACK
FULLSCREEN
PINNED
HELP
ABOUT
SHOWING WITHOUT GOING
Questions
Technology access and supporting infrastructure
Collaboration vs implementation
Audience
Funding Structure
Environment
Technology / Working in new sectors
Finding a common language
Outcomes
Control
Levels and tiers of participation ~ spectatorship
Impact
Which language do we speak?
Power
Technology
Collective
A new set of legal and contractual negotiations?
Power dynamics
Advantages
Not Your Thing?
Theatre staff - New roles, responsibilities, wages?
Consequence / Impact / Usefulness
How often can it happen?
Feedback and Evaluation
Payment when absent
Physical contact from a distance
Transcending I-other
Authorship
Timing
Longevity - models of legacy
The importance of being lazy
Not travelling due to strenuous visa demands
Respect
Disability
Preparation
A relationship between absence and death?
Local
Risk in performance
Responsibility - artist/host
Imprint
Time and space shared
Responsibility
Insisting on Presence
How to collaborate at a distance?
What is the opposite of travel?
Out of control
Whose non-travel is being enabled?
What is affordable…
“Liveness”
Responsibility of the Audience
Amount of Partner Countries Involved
Spectrums
Absence
Imposed
Chosen
Identity of Artist
Known
Anonymous
Control of participation
Guided / precise / careful / minimal
Anarchic / messy / unpredictable / expansive
Space & Connectivity
Offline
Online
Duration
A moment
Infinity
Technology as
Tool
Co-creator
Engagement Period
One Performance / Workshop
Weekly sessions / Yearly Collaborations
Required availability of the artist
Completely available
Completely unneccesary
Addressing absence and distance in the work
Address as an explicit content
Address as implicit content
Experience
Individual
Collective
Big / Little Brother
sense of guide's strong authority and control
sense of vulnerability / fragility in the guide, he/she/it needs our assistance
Location
Familiar
Unfamiliar
Audience
Spectator
Co-creator
Travel
On foot
By plane
Presence
Artist absent
Artist present
Sensorial experience
One sense
Multiplicity of senses
Control
Lost
Total
Format
Fixed / pre-recorded
Live / responsive
Site
Neutral
Site-responsive / site-specific
Active audience
mentally active
physical active
Responsibility
Artist
Host
Preparation
Unrehearsed
Rehearsed
Awareness of artifice, absence, (a)liveness
Aware / sure
Unaware / unsure
Absence as
compromise
benefit
Adaptation
Existing form
Showing Without Going
Laziness as
selective participation
energy management
Responsibility
Individual
Shared
Situation with audience
Risky
Predictable
Authorship
Copyright
Open Source
Technical Requirements
No Use of Technology Necessary
Advanced & Hi-Technology Necessary
Relationship with audience
Trusting
Controlling
Mode of transmission
Experiential (i.e. physical, relational, immersive....)
Transference (i.e. representation, audience as observer....)
Performer
Non-human
Human
Audience
witnessing
spectating
Responsibility
Artist
Audience
The experience of participation as
Affirmative
Antagonistic
Statements
Interlinking climate change with other challenges
There are many reasons for Showing Without Going
Data and Privacy Protection
Regional Imbalance
Beyond solutions or restrictions
Censorship
Implications of technology race
Travel Limitations