SHOWING WITHOUT GOING

Spectrums

Performer
Non-human
Human
Active audience
mentally active
physical active
Sensorial experience
One sense
Multiplicity of senses
Format
Fixed / pre-recorded
Live / responsive
Space & Connectivity
Offline
Online
Responsibility
Artist
Host
Travel
On foot
By plane
Awareness of artifice, absence, (a)liveness
Aware / sure
Unaware / unsure
Engagement Period
One Performance / Workshop
Weekly sessions / Yearly Collaborations
Absence
Imposed
Chosen
Control
Lost
Total
Adaptation
Existing form
Showing Without Going
Authorship
Copyright
Open Source
Absence as
compromise
benefit
Duration
A moment
Infinity
Audience
Spectator
Co-creator
Identity of Artist
Known
Anonymous
Experience
Individual
Collective
Addressing absence and distance in the work
Address as an explicit content
Address as implicit content
Location
Familiar
Unfamiliar
Technology as
Tool
Co-creator
Responsibility
Individual
Shared
Preparation
Unrehearsed
Rehearsed
Site
Neutral
Site-responsive / site-specific
Situation with audience
Risky
Predictable
Relationship with audience
Trusting
Controlling
The experience of participation as
Affirmative
Antagonistic
Mode of transmission
Experiential (i.e. physical, relational, immersive....)
Transference (i.e. representation, audience as observer....)
Presence
Artist absent
Artist present
Responsibility
Artist
Audience
Laziness as
selective participation
energy management
Required availability of the artist
Completely available
Completely unneccesary
Technical Requirements
No Use of Technology Necessary
Advanced & Hi-Technology Necessary
Audience
witnessing
spectating
Control of participation
Guided / precise / careful / minimal
Anarchic / messy / unpredictable / expansive
Big / Little Brother
sense of guide's strong authority and control
sense of vulnerability / fragility in the guide, he/she/it needs our assistance