approaches
considerations
examples
connections
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SHOWING WITHOUT GOING
Questions
Which language do we speak?
Funding Structure
Whose non-travel is being enabled?
What is affordable…
How often can it happen?
What is the opposite of travel?
Environment
Power dynamics
Local
Collaboration vs implementation
Imprint
Responsibility of the Audience
Disability
Advantages
Longevity - models of legacy
Preparation
“Liveness”
Power
Theatre staff - New roles, responsibilities, wages?
The importance of being lazy
Authorship
Impact
Amount of Partner Countries Involved
Payment when absent
A new set of legal and contractual negotiations?
Out of control
Responsibility - artist/host
Respect
Feedback and Evaluation
Not travelling due to strenuous visa demands
Technology
Audience
How to collaborate at a distance?
Time and space shared
Collective
Levels and tiers of participation ~ spectatorship
Finding a common language
Consequence / Impact / Usefulness
Not Your Thing?
Timing
Transcending I-other
A relationship between absence and death?
Responsibility
Outcomes
Physical contact from a distance
Control
Risk in performance
Technology / Working in new sectors
Technology access and supporting infrastructure
Insisting on Presence
Spectrums
Control
Lost
Total
Big / Little Brother
sense of guide's strong authority and control
sense of vulnerability / fragility in the guide, he/she/it needs our assistance
Responsibility
Artist
Audience
Relationship with audience
Trusting
Controlling
Preparation
Unrehearsed
Rehearsed
Presence
Artist absent
Artist present
Awareness of artifice, absence, (a)liveness
Aware / sure
Unaware / unsure
Audience
Spectator
Co-creator
Situation with audience
Risky
Predictable
Laziness as
selective participation
energy management
Site
Neutral
Site-responsive / site-specific
Absence
Imposed
Chosen
Authorship
Copyright
Open Source
Location
Familiar
Unfamiliar
Duration
A moment
Infinity
Responsibility
Individual
Shared
Technical Requirements
No Use of Technology Necessary
Advanced & Hi-Technology Necessary
Active audience
mentally active
physical active
Audience
witnessing
spectating
Engagement Period
One Performance / Workshop
Weekly sessions / Yearly Collaborations
Experience
Individual
Collective
Technology as
Tool
Co-creator
Absence as
compromise
benefit
Control of participation
Guided / precise / careful / minimal
Anarchic / messy / unpredictable / expansive
Identity of Artist
Known
Anonymous
Adaptation
Existing form
Showing Without Going
Addressing absence and distance in the work
Address as an explicit content
Address as implicit content
Mode of transmission
Experiential (i.e. physical, relational, immersive....)
Transference (i.e. representation, audience as observer....)
Performer
Non-human
Human
Sensorial experience
One sense
Multiplicity of senses
The experience of participation as
Affirmative
Antagonistic
Format
Fixed / pre-recorded
Live / responsive
Travel
On foot
By plane
Space & Connectivity
Offline
Online
Required availability of the artist
Completely available
Completely unneccesary
Responsibility
Artist
Host
Statements
Interlinking climate change with other challenges
Regional Imbalance
Implications of technology race
Censorship
Data and Privacy Protection
Travel Limitations
Beyond solutions or restrictions
There are many reasons for Showing Without Going