approaches
considerations
examples
connections
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SHOWING WITHOUT GOING
Questions
Not Your Thing?
Finding a common language
Technology / Working in new sectors
Whose non-travel is being enabled?
Insisting on Presence
Responsibility of the Audience
A new set of legal and contractual negotiations?
The importance of being lazy
Authorship
Collaboration vs implementation
Power
Local
Responsibility - artist/host
Imprint
Disability
Respect
A relationship between absence and death?
Consequence / Impact / Usefulness
Environment
Preparation
Levels and tiers of participation ~ spectatorship
Timing
Amount of Partner Countries Involved
Feedback and Evaluation
How to collaborate at a distance?
Payment when absent
“Liveness”
How often can it happen?
What is the opposite of travel?
Responsibility
Power dynamics
Collective
What is affordable…
Transcending I-other
Time and space shared
Impact
Longevity - models of legacy
Out of control
Outcomes
Technology
Which language do we speak?
Risk in performance
Funding Structure
Control
Advantages
Technology access and supporting infrastructure
Audience
Physical contact from a distance
Theatre staff - New roles, responsibilities, wages?
Not travelling due to strenuous visa demands
Spectrums
Travel
On foot
By plane
Big / Little Brother
sense of guide's strong authority and control
sense of vulnerability / fragility in the guide, he/she/it needs our assistance
Responsibility
Individual
Shared
Space & Connectivity
Offline
Online
Relationship with audience
Trusting
Controlling
Performer
Non-human
Human
Responsibility
Artist
Audience
Site
Neutral
Site-responsive / site-specific
Sensorial experience
One sense
Multiplicity of senses
Format
Fixed / pre-recorded
Live / responsive
Authorship
Copyright
Open Source
Audience
Spectator
Co-creator
Identity of Artist
Known
Anonymous
Situation with audience
Risky
Predictable
Technology as
Tool
Co-creator
Active audience
mentally active
physical active
Control of participation
Guided / precise / careful / minimal
Anarchic / messy / unpredictable / expansive
Presence
Artist absent
Artist present
Preparation
Unrehearsed
Rehearsed
Adaptation
Existing form
Showing Without Going
Location
Familiar
Unfamiliar
Absence as
compromise
benefit
Absence
Imposed
Chosen
Responsibility
Artist
Host
Addressing absence and distance in the work
Address as an explicit content
Address as implicit content
Audience
witnessing
spectating
Required availability of the artist
Completely available
Completely unneccesary
Engagement Period
One Performance / Workshop
Weekly sessions / Yearly Collaborations
Technical Requirements
No Use of Technology Necessary
Advanced & Hi-Technology Necessary
Duration
A moment
Infinity
Control
Lost
Total
Awareness of artifice, absence, (a)liveness
Aware / sure
Unaware / unsure
Experience
Individual
Collective
Laziness as
selective participation
energy management
The experience of participation as
Affirmative
Antagonistic
Mode of transmission
Experiential (i.e. physical, relational, immersive....)
Transference (i.e. representation, audience as observer....)
Statements
There are many reasons for Showing Without Going
Interlinking climate change with other challenges
Travel Limitations
Regional Imbalance
Data and Privacy Protection
Censorship
Beyond solutions or restrictions
Implications of technology race