approaches
considerations
examples
connections
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SHOWING WITHOUT GOING
Questions
Control
Technology / Working in new sectors
Theatre staff - New roles, responsibilities, wages?
Technology
Responsibility - artist/host
Feedback and Evaluation
Imprint
Transcending I-other
Which language do we speak?
Respect
A relationship between absence and death?
Collective
Not Your Thing?
Preparation
Time and space shared
The importance of being lazy
Responsibility of the Audience
Amount of Partner Countries Involved
“Liveness”
Not travelling due to strenuous visa demands
Technology access and supporting infrastructure
Whose non-travel is being enabled?
Risk in performance
Payment when absent
Environment
Longevity - models of legacy
Local
Responsibility
Impact
Levels and tiers of participation ~ spectatorship
What is affordable…
Insisting on Presence
Authorship
Collaboration vs implementation
Timing
Disability
Consequence / Impact / Usefulness
A new set of legal and contractual negotiations?
Outcomes
How to collaborate at a distance?
Audience
What is the opposite of travel?
Advantages
Physical contact from a distance
How often can it happen?
Finding a common language
Out of control
Power
Funding Structure
Power dynamics
Spectrums
Sensorial experience
One sense
Multiplicity of senses
Duration
A moment
Infinity
Adaptation
Existing form
Showing Without Going
Travel
On foot
By plane
Big / Little Brother
sense of guide's strong authority and control
sense of vulnerability / fragility in the guide, he/she/it needs our assistance
Presence
Artist absent
Artist present
Audience
Spectator
Co-creator
Responsibility
Individual
Shared
Active audience
mentally active
physical active
Responsibility
Artist
Host
Format
Fixed / pre-recorded
Live / responsive
Addressing absence and distance in the work
Address as an explicit content
Address as implicit content
Required availability of the artist
Completely available
Completely unneccesary
Performer
Non-human
Human
Authorship
Copyright
Open Source
Engagement Period
One Performance / Workshop
Weekly sessions / Yearly Collaborations
The experience of participation as
Affirmative
Antagonistic
Awareness of artifice, absence, (a)liveness
Aware / sure
Unaware / unsure
Mode of transmission
Experiential (i.e. physical, relational, immersive....)
Transference (i.e. representation, audience as observer....)
Control of participation
Guided / precise / careful / minimal
Anarchic / messy / unpredictable / expansive
Location
Familiar
Unfamiliar
Control
Lost
Total
Site
Neutral
Site-responsive / site-specific
Absence
Imposed
Chosen
Preparation
Unrehearsed
Rehearsed
Laziness as
selective participation
energy management
Absence as
compromise
benefit
Responsibility
Artist
Audience
Technical Requirements
No Use of Technology Necessary
Advanced & Hi-Technology Necessary
Experience
Individual
Collective
Audience
witnessing
spectating
Relationship with audience
Trusting
Controlling
Technology as
Tool
Co-creator
Situation with audience
Risky
Predictable
Identity of Artist
Known
Anonymous
Space & Connectivity
Offline
Online
Statements
Implications of technology race
Travel Limitations
Beyond solutions or restrictions
Interlinking climate change with other challenges
Censorship
Regional Imbalance
There are many reasons for Showing Without Going
Data and Privacy Protection