approaches
considerations
examples
connections
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SHOWING WITHOUT GOING
Questions
Levels and tiers of participation ~ spectatorship
What is affordable…
“Liveness”
Power
Technology
Outcomes
Not travelling due to strenuous visa demands
Imprint
Impact
Amount of Partner Countries Involved
Finding a common language
Out of control
Timing
Longevity - models of legacy
How often can it happen?
A new set of legal and contractual negotiations?
Time and space shared
Power dynamics
Responsibility - artist/host
Transcending I-other
Funding Structure
Not Your Thing?
Local
Authorship
The importance of being lazy
Consequence / Impact / Usefulness
Theatre staff - New roles, responsibilities, wages?
Physical contact from a distance
Control
Insisting on Presence
Collective
Feedback and Evaluation
Technology access and supporting infrastructure
Whose non-travel is being enabled?
Technology / Working in new sectors
Risk in performance
Advantages
Environment
A relationship between absence and death?
Payment when absent
Collaboration vs implementation
Which language do we speak?
Respect
Audience
Responsibility
Disability
What is the opposite of travel?
Responsibility of the Audience
How to collaborate at a distance?
Preparation
Spectrums
Laziness as
selective participation
energy management
Awareness of artifice, absence, (a)liveness
Aware / sure
Unaware / unsure
Preparation
Unrehearsed
Rehearsed
Identity of Artist
Known
Anonymous
Adaptation
Existing form
Showing Without Going
Control of participation
Guided / precise / careful / minimal
Anarchic / messy / unpredictable / expansive
Required availability of the artist
Completely available
Completely unneccesary
Technical Requirements
No Use of Technology Necessary
Advanced & Hi-Technology Necessary
Absence
Imposed
Chosen
Sensorial experience
One sense
Multiplicity of senses
Travel
On foot
By plane
Duration
A moment
Infinity
Absence as
compromise
benefit
Authorship
Copyright
Open Source
Engagement Period
One Performance / Workshop
Weekly sessions / Yearly Collaborations
Responsibility
Artist
Audience
Format
Fixed / pre-recorded
Live / responsive
Space & Connectivity
Offline
Online
The experience of participation as
Affirmative
Antagonistic
Location
Familiar
Unfamiliar
Audience
witnessing
spectating
Performer
Non-human
Human
Responsibility
Individual
Shared
Control
Lost
Total
Presence
Artist absent
Artist present
Mode of transmission
Experiential (i.e. physical, relational, immersive....)
Transference (i.e. representation, audience as observer....)
Addressing absence and distance in the work
Address as an explicit content
Address as implicit content
Site
Neutral
Site-responsive / site-specific
Technology as
Tool
Co-creator
Active audience
mentally active
physical active
Situation with audience
Risky
Predictable
Experience
Individual
Collective
Big / Little Brother
sense of guide's strong authority and control
sense of vulnerability / fragility in the guide, he/she/it needs our assistance
Relationship with audience
Trusting
Controlling
Responsibility
Artist
Host
Audience
Spectator
Co-creator
Statements
Data and Privacy Protection
Beyond solutions or restrictions
There are many reasons for Showing Without Going
Censorship
Implications of technology race
Regional Imbalance
Interlinking climate change with other challenges
Travel Limitations