SHOWING WITHOUT GOING

Spectrums

Relationship with audience
Trusting
Controlling
Active audience
mentally active
physical active
Space & Connectivity
Offline
Online
Location
Familiar
Unfamiliar
Performer
Non-human
Human
Authorship
Copyright
Open Source
Mode of transmission
Experiential (i.e. physical, relational, immersive....)
Transference (i.e. representation, audience as observer....)
Responsibility
Individual
Shared
Technology as
Tool
Co-creator
Format
Fixed / pre-recorded
Live / responsive
Technical Requirements
No Use of Technology Necessary
Advanced & Hi-Technology Necessary
Absence as
compromise
benefit
Engagement Period
One Performance / Workshop
Weekly sessions / Yearly Collaborations
Audience
witnessing
spectating
Duration
A moment
Infinity
Audience
Spectator
Co-creator
Control of participation
Guided / precise / careful / minimal
Anarchic / messy / unpredictable / expansive
Required availability of the artist
Completely available
Completely unneccesary
The experience of participation as
Affirmative
Antagonistic
Preparation
Unrehearsed
Rehearsed
Travel
On foot
By plane
Situation with audience
Risky
Predictable
Sensorial experience
One sense
Multiplicity of senses
Adaptation
Existing form
Showing Without Going
Responsibility
Artist
Audience
Site
Neutral
Site-responsive / site-specific
Identity of Artist
Known
Anonymous
Laziness as
selective participation
energy management
Presence
Artist absent
Artist present
Absence
Imposed
Chosen
Responsibility
Artist
Host
Experience
Individual
Collective
Control
Lost
Total
Addressing absence and distance in the work
Address as an explicit content
Address as implicit content
Awareness of artifice, absence, (a)liveness
Aware / sure
Unaware / unsure
Big / Little Brother
sense of guide's strong authority and control
sense of vulnerability / fragility in the guide, he/she/it needs our assistance